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Title details for Chain Gang All Stars by Nana Kwame Adjei-Brenyah - Wait list

Chain Gang All Stars

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0 of 1 copy available
Wait time: About 2 weeks
A NEW YORK TIMES TOP TEN BOOK OF THE YEAR • FINALIST FOR THE NATIONAL BOOK AWARD IN FICTION • A READ WITH JENNA BOOK CLUB PICK • NATIONAL BESTSELLER • Two top women gladiators fight for their freedom within a depraved private prison system not so far-removed from America’s own in this explosive, hotly-anticipated debut novel from the New York Times bestselling author of Friday Black • LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE
“This book is so good. Brutal subject matter, beautiful writing. This one is from the heart.” —Stephen King

A Best Book of the Year: The New York Times, The Washington Post, NPR, Elle, Esquire, Chicago Tribune, Lit Hub, Kirkus Reviews
“Like Orwell’s 1984 and Atwood’s The Handmaid’s Tale, Adjei-Brenyah’s book presents a dystopian vision so…illuminating that it should permanently shift our understanding of who we are and what we’re capable of doing.” —The Washington Post
She felt their eyes, all those executioners…
Loretta Thurwar and Hamara “Hurricane Staxxx” Stacker are the stars of the Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly popular, highly controversial profit-raising program in America’s increasingly dominant private prison industry. It’s the return of the gladiators, and prisoners are com­peting for the ultimate prize: their freedom.
 
In CAPE, prisoners travel as Links in Chain-Gangs, competing in death matches before packed arenas with righteous protestors at the gates. Thur­war and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, Thurwar considers how she might help preserve their humanity, in defiance of these so-called games. But CAPE’s corporate own­ers will stop at nothing to protect their status quo, and the obstacles they lay in Thurwar’s path have devastating consequences.
 
Moving from the Links in the field to the protestors, to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system’s unholy alli­ance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means from a “new and necessary American voice” (Tommy Orange, The New York Times Book Review).
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  • Reviews

    • Publisher's Weekly

      Starred review from March 6, 2023
      Bestseller Adjei-Brenyah sets his breathtaking and pulse-pounding debut novel (after the short story collection Friday Black) in a dystopian alternate U.S. where people incarcerated in an expansive private prison system have the option to fight for their freedom in gladiator-style death matches. Fighters who partake in the Chain-Gang All-Stars operation can rise to fame and notoriety, a crucial profit-driving component for those who control CAPE, or Criminal Action Penal Entertainment. Among these superstars are fighters Loretta Thurwar and Hamara “Hurricane Staxxx” Stacker, who have made names for themselves as undefeated champions and “Links,” or teammates in a Chain-Gang. As Thurwar takes a step closer to freedom one match at a time, however, she begins to worry about leaving Hamara and her other Links behind. Through this brutal, fight-scene-studded story, the author delivers insightful critiques of the prison-industrial complex, capitalism, and the ways in which Hollywood and celebrity culture exploit Black talent. Both the political allegory and the edge-of-your-seat action work beautifully. Readers will be wowed. Agent: Meredith Kaffel Simonoff, Gernert Co.

    • Library Journal

      Starred review from June 16, 2023

      DEBUT Adjei-Brenyah's propulsive debut novel (after the short story collection Friday Black) introduces a viciously dystopian alternate United States, pitting the public's insatiable appetite for violent sports against individuals caught in the web of the prison industrial complex. In this chillingly familiar world, incarcerated individuals are abused to such an extent that they agree to join the Criminal Action Penal Entertainment, becoming gladiators and engaging in televised death matches. Two fan favorites, Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker, make headlines, captivating viewers with their formidable battle skills and their tender relationship off the field. Thurwar is two matches away from freedom, and Staxxx will soon attain the rank of Colossal, but both know that nothing is certain. The affecting portraits of Thurwar and Staxxx are augmented with stories of other incarcerated people, from Hendrix "Scorpion Singer" Young, who fights so that his voice can be heard, to Simon J. Craft, whose last shred of humanity is destroyed through torture. Adjei-Brenyah offers a piercing commentary on the privatization of prisons, disparate treatment of BIPOC individuals within the penal system, and the ghoulish celebration of televised pain. VERDICT An unforgettable book reverberating with alarming truths and providing an uncomfortable look at an all-too-imaginable future.--Sarah Hashimoto

      Copyright 2023 Library Journal, LLC Used with permission.

    • Kirkus

      Starred review from February 15, 2023
      An acerbic, poignant, and, at times, alarmingly pertinent dystopian novel ravages two malign institutions: one involving privately owned prisons, the other feeding America's addiction to violent sports. In his debut short story collection, Friday Black (2018), Adjei-Brenyah displayed a prodigious flair for deadpan satiric narratives set in alternate realities that often seem uncomfortably close to our own, especially regarding race and class divisions. With his first novel, he proves he can sustain his outrage, imagination, wit, and compassion for a deeper dive into the darker reaches of the American soul. As with the earlier stories, the novel is set not in the future but in a warped vision of the present in which a private consortium called Criminal Action Penal Entertainment produces duels to the death between convicted murderers before packed arenas and TV cameras. CAPE's two most charismatic and successful gladiators are women: Loretta Thurwar and Hamara Stacker, aka Hurricane Staxxx, who are also lovers. Staxxx, who tends to weep copiously after each bloody victory, is dreading the ever nearer day when Loretta will earn her freedom, having survived and triumphed with CAPE for three years under the terms established for "clemency, commutation of sentence, or a full pardon" under the Rightful Choice Act. Protestors show up outside every CAPE death match to protest that law and the whole penal system in an all-out movement to repeal it. Meanwhile, CAPE's corporate masters tighten their hold on the status quo (and keep their TV ratings up) as Loretta struggles against mounting odds to help Staxxx and other gladiators of varied races and genders achieve relative dignity within their imprisonment. Adjei-Brenyah displays his impressive range of tone and voice as he deftly manipulates several points of view through shifting time periods; all the while, he maintains control over the elements of his dreaded alternate America, using footnotes and asides to elaborate on the laws and customs of this world but also making direct and similarly detailed connections to the real-life, present-day state of the nation's mass incarceration system with its brutalities and injustices. It is an up-to-the-minute j'accuse that speaks to the eternal question of what it truly means to be free. And human. Imagine The Hunger Games refashioned into a rowdy, profane, and indignant blues shout at full blast.

      COPYRIGHT(2023) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      Starred review from May 1, 2023
      Adjei-Brenyah's stellar, stupendous story collection, Friday Black (2018), could have been mere prelude to the relentlessly vicious horror of his first novel. In a not-so-unfamiliar alternate America, prisoners convicted of violent crimes are coerced and tortured into joining CAPE--Criminal Action Penal Entertainment--for an almost impossible chance at freedom. Participants become Links in strategically created Chain-Gangs; survival means slaughtering their way through death matches, earning Blood Points. While the controlling corporations rake in the blood money, the public, even young children, cannot get enough. Two of the most beloved Chain-Gang All-Stars are Loretta Thurwar and Hurricane Staxx, both so close to, yet still so far from, getting out. What might seem to be a dystopian nightmare is even more terrifying because Adjei-Brenyah brilliantly broadcasts such irrefutable truths as the U.S. having the world's highest rate of incarceration, with disproportionate numbers of Black and POC prisoners. His chilling footnotes shrewdly interrupt his fiction with real names and stark statistics, exposing racism, inequity, corruption, suicide, and abuse. Prison privatization is already a high-profit industry, as is celebrated, legalized fighting (boxing, MMA, wrestling). Adjei-Brenyah's reality-adjacent tale could ultimately, terrifyingly, prove prescient. Given the rampant, explicit brutality, all should heed a character's warning, "I'll tell you and I can't untell you, you understand?"HIGH-DEMAND BACKSTORY: The resounding success of Adjei-Brenyah's first book has his second avidly touted as a most anticipated title of the year.

      COPYRIGHT(2023) Booklist, ALL RIGHTS RESERVED.

    • BookPage
      Back in the 1980s, it was all “The Future’s So Bright, I Gotta Wear Shades.” These days, not so much, with dystopian stories like The Hunger Games doing a much better job to capture the zeitgeist. Speaking of capturing, that’s one enterprise in which the United States still excels; about one out of every five incarcerated people worldwide occupy a jail cell here in America. In his first novel, Chain-Gang All-Stars, Nana Kwame Adjei-Brenyah mashes up “Orange Is the New Black,” The Running Man, Gladiator and mixed martial arts into a brutal prognostication of what could be next year’s worst “reality” show. It works like this: Prisoners whose sentences exceed 25 years are offered shots at freedom in exchange for three-year tours of duty as televised, weapon-wielding warriors. Much like in professional wrestling, there are storylines and factions and fan favorites, but “smackdown” in this ring means that only one “athlete” gets to leave alive. Competing for-profit prison corporations provide teams called “chains” whose “links” vie against one another, either singly or in doubles matches. To ramp up the drama, individual links in a chain may occasionally turn on one another—many of them are murderers, after all—so the likelihood of living through the three-year tour is vanishingly small.  “We are all chaotic systems, like the weather, and any particular offering an artist presents is one of many possible storms.” Read our full essay from author Nana Kwame Adjei-Brenyah. The story centers on a pair of warriors, Loretta Thurwar and Hamara “Hurricane Staxxx” Stacker, who are members of the same chain, occasional doubles partners and lovers. While they are both successful at their current day job—being killing machines—Adjei-Brenyah has imbued them with a notable degree of tenderness. They’re aware that most of the links are going to be “freed” via slaughter in the ring, and their immediate survival requires them to focus their violence on their opponents rather than toward each other. A chain, after all, is only as strong as its weakest link.  The subtext here punches through like Anderson “The Spider” Silva delivering a knockout blow: The incarceration-industrial complex, hyped up on the steroid of private capital, encourages systematic racism and a rejection of any possibility of rehabilitation. So in Adjei-Brenyah’s brave new world, he recalls yet another notion perfectly articulated during the ’80s: “The Sisters Are Doin’ It for Themselves.”

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